There’s a permeable membrane between art and society. A continuous dialectical motion. Tides brining the estuary. River flowing into sea. A writer describes the landmass “stained” current of the Congo River as discernible three hundred miles out on the ocean. Likewise: the matter of art enters the bloodstream of social energy. Call and response. The empathetic imagination can transform, but we can’t identify precise loci of transformation, can’t track or quantify the moments. Nor say how or when they lead, through innumerable unpredictable passageways, toward recreating survival, undermining illegitimate power and its cruelties.
Nor how newly unlocked social energies, movements of people, demand a renewed social dialogue with art: a spontaneous release of language and forms.
René Char: The poet bursts the bonds of what he touches. He does not teach the end of bonds. She cannot teach the end of bonds; but she can refuse to justify, accord with, ignore their existence.
Nor how newly unlocked social energies, movements of people, demand a renewed social dialogue with art: a spontaneous release of language and forms.
René Char: The poet bursts the bonds of what he touches. He does not teach the end of bonds. She cannot teach the end of bonds; but she can refuse to justify, accord with, ignore their existence.
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